Wilson also discusses the particular scare scene he fought to have happen in the daytime.
Patrick Wilson has a wealth of experience in front of the lens, including a couple of very successful horror franchises, but the new Insidious movie will mark a significant first for him — Insidious: The Red Door is his feature directorial debut.
PERRI NEMIROFF: Can you tell me something about the style of these movies that James [Wan] started in film one that you wanted to hold especially tight to, but then also something you deliberately strove to do differently to make The Red Door feel like your own Insidious film? I want to touch on the idea of executing jump scares, which are very important to this franchise — pairing the right surprise visual with the right sound stinger. Can you give me one do and one do not that you embraced for delivering good jump scares?
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