Zombieland2 and how a subgenre evolved beyond a fad
in its optimism and refusal to dangle the lives of its characters in front of us. There’s a real sense of danger, sure, but there’s also the reward of our optimism paying off and the recognition that character depth and change doesn’t have to be predicated on the question of who dies next.Humane may seem like an odd choice to describe a zombie film, especially one that doesn’t spare on the blood and guts.
recognizes that, but what’s more is that it reminds us that survival doesn’t mean letting go of humanity. In fact, it’s the opposite that holds true. We’ve seen this notion paid lip service before, but few actually dare to follow through with it.
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