Anna Delvey’s comeback career as an outsider artist has set the stage for a redemption arc of sorts, but redemption implies undergoing some form of moral evolution. She's barely expressed anything akin to remorse for the harm she did.
, even though no one else in the room is paying much attention to it. All of the works are signed, in highly stylized, curlicue font, looking much fancier than the chicken-scratched, color-penciled images themselves, “Anna Delvey.”
At “Allegedly” — Delvey’s first solo show, which was held at the Public Hotel on the Lower East Side — these stans were out in full force, painting Anna Delvey as a modern-day Robin Hood subject to the brutal capitalistic forces of the patriarchy. “Anna Delvey is the people’s chick,” Stephen James The Artist, a Zack Morris lookalike clad head-to-toe in a tie-dye sweatsuit he identified as “Lenny Vuitton,” proudly proclaimed.
I had been reluctant to attend the show, to say the least. I am heavily pregnant, and the prospect of lumbering around soberly making conversation with underpaiddown the street, did not appeal to me.
In any event, the art, clearly, was not the main attraction here. With her childlike, faceless sketches, Delvey shows far less promise as an artist than as a canny cultural critic, with her work often alluding to the media circus around herself and her trial.
This is an opportunity for her to voice herself in a more permanent way and enter the world she tried to enter the wrong way the first time.” Founders Art Club said that while a percentage of the proceeds of Delvey’s print sales — there are currently 4,000 prints of her works available, at a tiered system starting at $250 a pop – will go to an organization benefitting immigration reform, the group did not specify which one. They also did not address whether any of the money Delvey had made would go to her victims: “That is not something we’re privy to,” says Martine.
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