Perry Blackshear, writer-director of “They Look Like People” and “The Siren,” has returned with genre bending “When I Consume You,” a suspenseful twist on revenge and courage in the face of h…
Perry Blackshear, writer-director of “They Look Like People” and “The Siren,” has returned with genre bending “When I Consume You,” a suspenseful twist on revenge and courage in the face of helplessness. Siblings Daphne and Wilson Shaw brave the long shadow of childhood trauma together in a fight with a demon stalker hellbent on their destruction.
As I was writing it, there was this feeling that there’s stuff a lot scarier than death. Damnation, a bad death or a hollow death. After making “They Look Like People,” which was very deep into psychology, we wanted to try something that was more supernatural. Also, I once learned you feel pain in the same receptors that physical pain spikes when you’re very lonely. It’s very much felt in the body.
I really loved and cared about these characters so much. They had a really messed up childhood and reacted to it in very different ways: Wilson kind of never grew up, and Daphne grew up much too quickly. And I cared so much about doing it right. I have to say, I want to take credit for it, but, you know – these actors are incredible. Evan and Libby lived together during shooting and developed this true brother-sister dynamic. They really threw themselves at it.
First I want to shout out to Mitch Bain, who did the amazing scoring. What I tried to do, both with sound design and cinematography, is to mirror the internal experience of the characters. So that feeling of totally overwhelming dissociation that happens; I wanted the sound to feel like an assault. Like you’re just, you want it to stop in the same way that one might feel in that situation. I tried to use a lot of organic sounds.
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