It took ample trial and error for composers Mark Isham and Isabella Summers to get to the heart of Little Fires Everywhere. Created by Liz Tigelaar, the Hulu miniseries centers on a Shaker Heights …
miniseries centers on a Shaker Heights matriarch and her family whose lives are upended, when a mysterious mother and daughter come into town. The drama called for a score that would “capture the essence of these women,” Summers says, who had become completely entangled with one another. “We had an intellectual description in mind. We wanted to embrace big rock drums, chamber strings. Burning piano had become a sound,” Isham adds.
So, Mary Ramos was a music supervisor on that. She said, “You’re amazing. I want you to do score.” And I was like, “Hell, yes. I would love to.” Then, I was coming to the end of a very long worldwide tour with Florence, and she said, “Hey, I think I’ve got a show for you. Would you be interested in working with the incredible Mark Isham for a miniseries with Reese Witherspoon and Kerry Washington?” I was like, “You don’t even need to finish the sentence. Yes.
It wasn’t really until Episode 4, Isa sent me something that I said, “Well, this is just fantastic. Let me take a pass through it.” We put it at the closing scene of Episode 4, and I believe this is the one we’re nominated for. Both of us went, “S**t, this is it. This is where we need to get to. This is the dark, the underbelly, the energy, that throbbing hatred that’s buried in people’s soul. All that stuff that we’ve been looking for, it’s right there.” It’s visceral, and it’s pop.
DEADLINE: Given that you come from different spheres in the musical world, your collaboration here must have been quite unique. What did you enjoy about it? What stood out about the experience?: First of all, I’ve never score a television show, so that’s the biggest thing. Working with Mark was obviously just an incredible situation, beause it was so interesting to see how things would have to hit certain points, or fit in a certain box.
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