Making the Unreal Engine 5 film The Voice in the Hollow

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Making the Unreal Engine 5 film The Voice in the Hollow
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Unreal Engine 5 can be used for more than making video games. Discover how the animated short The Voice in the Hollow was made using Epic Games' tech. unrealengine5 EpicGames animation

for a guide to the basics. Now, let's take a look at how Ortega and Ma created their beautiful animation."We really went stylised to forgive our limitations, but we did it in a way that felt intentional," says Miguel Ortega, director The Voice in the Hollow

Through an unfolding process, the story for the film shifted from an American setting to an African one, and Ortega recalls how he and Ma reached a point where they determined to"just do a very simple Cain and Abel story." Ortega and Ma made the story about two sisters, Ala and Coa. Simplifying the details of the story that prompted the project was a major creative moment for the filmmakers, though Ortega notes that it didn’t make their task any easier.

He adds:"We had just four weeks of Unreal experience when we started doing this film. So we knew we were going to hit technical limitations on our side, like our own ability, and we also knew that there was a technical limitation on the Unreal side. Critically, no preliminary design work was rendered on paper for the project. Instead, Ortega and Ma explored their creative choices and inclinations in Unreal."We went right into 3D," Ortega notes."Tran designed the characters and she's a beast when it comes to that kind of stuff. She used to design some of the Transformers. She would poly-model them out in Maya.

We wanted it to be really vibrant. But that was our red herring."We wanted people to think, 'Oh, this is going to be a really fun movie.' We wanted it to be as beautiful as possible so that when the ending comes you’re like, 'What the hell just happened?! I got duped!' That was a very intentional thing and that ties into the grain and the fonts and some of the editing choices, and the crash zooms and everything.

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